A Monument to the Greenland Ice Sheet
From -1 Meter to -3051 Meters
Peggy Weil 2017
Original Score by Celia Hollander
88 Cores descends two miles through the Greenland Ice Sheet in one continuous pan dating back more than 110,000 years. It premiered at The Climate Museum’s inaugural exhibition, In Human Time, in NYC in 2018. The pace and scale of the work is a gesture towards deep time and the gravity of climate change.
Ice cores are known as paleo-thermometers informing the foundation of climate science with evidence of past conditions on earth. The horizontal banding seen in the cores indicates seasonal snowfall and can be counted and correlated with dates, like tree rings. Chemical analysis at different depths can be matched to historical events such as volcanic eruptions. Air bubbles trapped in the ice hold ancient air, documenting the makeup of ancient atmosphere. The GISP2D Ice Core was drilled between 1989-1993 as part of the the Greenland Ice Sheet Project, research sponsored by The National Science Foundation. The cores in 88 Cores are stored at the NSF Ice Core Facility in Lakewood, Colorado.
88 Cores is part of a series of Underscapes, portraits of the extended landscape in order to confront the scales of deep time and deep space.
New Yorker: As The Artic Melts, An Artist Finds Beauty in Ancient Ice by Carolyn Kormann
Los Angeles Review of Books: It’s About Time by Peggy Weil
Samek Art Museum, Bucknell University
Jan 14 – March 22, 2020
2019 88 CORES
Colby Museum of Art, Waterville Maine
Curated by Diana Tuite
October 1 – December 8, 2019
in partnership with DePauw University Richard E. Peeler Art Center
Curated by Martha Donovan Opdahl
Oct 1- Dec 1, 2019
2019 8 Cores from 88 Cores
2019 88 CORES
The Philbrook Downtown, Tulsa, OK
Curated by Sienna Brown
February 1 – May 19 2019
CU University Art Museum Boulder CO
Curated by Erin Espelie and Hope Saska
Feb 7 – July 20, 2019
UCI View Point Gallery
UC Irvine, California
Fordham University, NYC
Curated by Carleen Sheehan
2018 United Nations for Secretary General António Guterres’s Address on Climate Action
Sheila C. Johnson Design Center at Parsons, NYC
Curated by Christiane Paul
Jan 2017-Feb 2018
88 Cores descends two miles through the Greenland Ice Sheet in one continuous pan dating back more than 110,000 years in time. These cores were drilled between 1989-1993 as part of the the Greenland Ice Sheet Project (GISP2), sponsored by The National Science Foundation.
The variation in appearance over the 88 cores in this film is due to several factors: the coarser grained snow and firn (dense snow) closer to the surface are compressed into layers of ice as a function of depth. Visible banding, dust and debris are indicators of seasonal variation and regional conditions. Size and shape varies according to the condition of an individual core section; the ice may be fragmented or broken; or portions distributed to labs for analysis. The scanned images reflect over a decade of evolution in imaging technology between 2004 and 2017.
The variation and fragility of the excavated cores echo the vulnerability of polar ice as the Earth warms. The pace and scale of the piece is a gesture towards the immense scale and gravity of climate change.
Original Score by Celia Hollander
88 Cores follows ice cores underground and back in time. Perhaps time is more linear and asymmetrical on the scale of human perception but more cyclical and symmetrical on a massive scale, one that we can comprehend but can’t easily perceive.
88 Cores uses a linear approach, scrolling from top to bottom, as a type of temporal section cut. Reading this section cut suggests that there is a beginning and an end, but what came before and what will come after? Will the near future be like the distant past? And whose future, whose past? The one belonging to the ice, or the humans, or the Earth? Although ice is one of the most direct demonstrations of climate change, scrolling through this scale of time is a reminder of continuous and accumulating changes.
This piece of music is both cyclical and linear; it is propelled by small, evolving loops and downward sloping glissando drones, but is continuously slowing down at an even rate over the course of 4.5 hours. It is a system of small spinning parts that gradually decelerates and expands over time.
Celia Hollander is a Los Angeles based artist working in audio recordings, scores, sound installations and text. Her work critically engages ways that audio and the act of listening can question cultural infrastructures, cultivate social connection and enable an awareness of a continuously changing present.